Then I feel a fan on my cheek, faint, so faint, that I can just sense it ere it is gone. But another comes, and another, until a real and just perceptible breeze is blowing. How the Snark’s sails manage to feel it is beyond me, but feel it they do, as she does as well, for the compass card begins slowly to revolve in the binnacle. In reality, it is not revolving at all. It is held by terrestrial magnetism in one place, and it is the Snark that is revolving, pivoted upon that delicate cardboard device that floats in a closed vessel of alcohol. “And that you are delivering it to Tahiti?” I demanded incredulously.!

“Then when you are a hundred you won’t be sleeping at all,” I interjected. When we sailed from San Francisco on the Snark I knew as much about sickness as the Admiral of the Swiss Navy knows about salt water. And here, at the start, let me advise any one who meditates going to out-of-the-way tropic places. Go to a first-class druggist—the sort that have specialists on their salary list who know everything. Talk the matter over with such an one. Note carefully all that he says. Have a list made of all that he recommends. Write out a cheque for the total cost, and tear it up.

Again, when we were preparing to return to the Snark, the sky to windward turned black and another squall swooped down. But this time it was little rain and all wind. It blew hour after hour, moaning and screeching through the palms, tearing and wrenching and shaking the frail bamboo dwelling, while the outer reef set up a mighty thundering as it broke the force of the swinging seas. Inside the reef, the lagoon, sheltered though it was, was white with fury, and not even Tehei’s seamanship could have enabled his slender canoe to live in such a welter. No, it is not all monotony. When we had worried along our easting to 126° west longitude, we left the variables and headed south through the doldrums, where was much calm weather and where, taking advantage of every fan of air, we were often glad to make a score of miles in as many hours. And yet, on such a day, we might pass through a dozen squalls and be surrounded by dozens more. And every squall was to be regarded as a bludgeon capable of crushing the Snark. We were struck sometimes by the centres and sometimes by the sides of these squalls, and we never knew just where or how we were to be hit. The squall that rose up, covering half the heavens, and swept down upon us, as likely as not split into two squalls which passed us harmlessly on either side while the tiny, innocent looking squall that appeared to carry no more than a hogshead of water and a pound of wind, would abruptly assume cyclopean proportions, deluging us with rain and overwhelming us with wind. Then there were treacherous squalls that went boldly astern and sneaked back upon us from a mile to leeward. Again, two squalls would tear along, one on each side of us, and we would get a fillip from each of them. Now a gale certainly grows tiresome after a few hours, but squalls never. The thousandth squall in one’s experience is as interesting as the first one, and perhaps a bit more so. It is the tyro who has no apprehension of them. The man of a thousand squalls respects a squall. He knows what they are. Madame Aubain had married a comely youth without any money, who died in the beginning of 1809, leaving her with two young children and a number of debts. She sold all her property excepting the farm of Toucques and the farm of Geffosses, the income of which barely amounted to 5,000 francs; then she left her house in Saint-Melaine, and moved into a less pretentious one which had belonged to her ancestors and stood back of the market-place. This house, with its slate-covered roof, was built between a passage-way and a narrow street that led to the river. The interior was so unevenly graded that it caused people to stumble. A narrow hall separated the kitchen from the parlour, where Madame Aubain sat all day in a straw armchair near the window. Eight mahogany chairs stood in a row against the white wainscoting. An old piano, standing beneath a barometer, was covered with a pyramid of old books and boxes. On either side of the yellow marble mantelpiece, in Louis XV. style, stood a tapestry armchair. The clock represented a temple of Vesta; and the whole room smelled musty, as it was on a lower level than the garden.